MERLEAU-PONTY MIROIRS ET AUTRES TECHNOLOGIES MIRRORS AND OTHER TECHNOLOGIES SPECCHI E ALTRE TECNOLOGIE **** INÉDITS – INEDITS – INEDITI MAURICE MERLEAU-PONTY PROBLÈMES D’HIER ET D’AUJOURD’HUI […]
Category: Chiasmi International
Chiasmi International 21
MERLEAU-PONTY UN EXTRAIT DU COURS INÉDIT SUR LE PROBLÈME DE LA PAROLE AN EXCERPT FROM THE UNPUBLISHED COURSE ON THE PROBLEM OF SPEECH UN ESTRATTO […]
Chiasmi International 20
MERLEAU-PONTY 1908/2018 DITS ET ÉCRITS RARES OU INÉDITS RARE OR UNPUBLISHED DIALOGUES AND TEXTS DETTI E SCRITTI RARI O INEDITI **** AVEC MERLEAU-PONTY : COMPTES-RENDUS […]
Chiasmi International 19
MERLEAU-PONTY PENSER LE DEHORS: POLITIQUE, ESTHÉTIQUE, ONTOLOGIE THINKING THE OUTSIDE: POLITICS, AESTHETICS, ONTOLOGY PENSARE IL FUORI: POLITICA, ESTETICA, ONTOLOGIA **** DOSSIERS – SPECIAL SECTIONS – […]
Chiasmi International 18
MERLEAU-PONTY DEMAIN / TOMORROW / DOMANI LE CORPS, LA MACHINE, L’INCONSCIENT THE BODY, THE MACHINE, THE UNCONSCIOUS IL CORPO, LA MACCHINA, L’INCONSCIO **** DOSSIERS – […]
Chiasmi International 17
La plasticité au poétique, à travers l’herméneutique de Paul Ricoeur From plasticity to the poetic, through Ricoeur’s Hermeneutics Dalla plasticità al poetico attraverso l’ermeneutica di Paul Ricoeur **** […]
Chiasmi International 16
Merleau-Ponty ENTRE HIER ET DEMAIN BETWEEN YESTERDAY AND TOMORROW TRA IERI E DOMANI **** dossiers – special sections – dossiers Merleau -Ponty demain Merleau -Ponty […]
Chiasmi International 15
Existence, diacritiques, animalité
Existence, Diacritics, Animality
Esistenza, diacritico, animalità
Chiasmi International 12. Merleau-Ponty. Philosophy and moving pictures
Chiasmi International 12 presents an extraordinary, unpublished extract from the first course Merleau-Ponty taught at the Collège de France. It is one of the few places where he speaks of cinema and its literal sense of movement. Thus, a “Special Section” called “Cinema and the Philosophy of Movement” is devoted to this topic. It contains six essays, two of which were written by Chiasmi International editors, Mauro Carbone and Pierre Rodrigo. Moreover, this issue collects a wide scope of essays, focusing specially on Merleau-Ponty’s ontology and on his reflection about dance and painting.