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Category: Cinema & Cie

Cinéma&Cie 35: Mediatic Handology: Shaping Images, Interacting, Magicking
Cinema & Cie

Cinéma&Cie 35: Mediatic Handology: Shaping Images, Interacting, Magicking

Digital culture, taken etymologically, means a culture of the fingers (from the Latin digitus). Although our contemporary times are still envisioned through the lens of […]

Cinéma&Cie 34: Experimental Women. Mapping Cinema and Video Practices From the Post-war Period Up to Present
Cinema & Cie

Cinéma&Cie 34: Experimental Women. Mapping Cinema and Video Practices From the Post-war Period Up to Present

Experimental cinema, as well as experimental video practices, have always been art forms widely explored by women. Yet, while the field of cinema studies has […]

Cinéma&Cie 33: Avant-garde and Popular Forms Between Music and Visual Media. Transhistorical and Intermedial Investigations
Cinema & Cie

Cinéma&Cie 33: Avant-garde and Popular Forms Between Music and Visual Media. Transhistorical and Intermedial Investigations

This special issue of Cinéma&Cie aims at pushing the discussion on the relationships between avant-garde arts and popular culture far beyond traditional scholarship on the […]

Cinéma&Cie 32: Cinema and mid-century colour culture
Cinema & Cie

Cinéma&Cie 32: Cinema and mid-century colour culture

Suspended between transparency and naturalness on the one hand, and opacity and artificiality on the other, colour is integral to the cinematic apparatus in an […]

Cinéma&Cie 31: To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)
Cinema & Cie

Cinéma&Cie 31: To Each Their Own Pop. The Mediatization of Popular Music in Europe (1960-1979)

Pop music meets the media… This issue is dedicated to a social and cultural phenomenon that we could call the ‘mediatization of pop music’. With […]

Cinéma&Cie 30: Reinventing Mao. Maoisms and national cinemas
Cinema & Cie

Cinéma&Cie 30: Reinventing Mao. Maoisms and national cinemas

This special issue of Cinéma&Cie explores the cultural dynamics, ideological aporias and political struggles that characterize the relationship between Maoism and national cinemas, from the […]

Cinéma&Cie. Re-intermediation: Distribution, Online Access, and Gatekeeping in the Digital European Market
Cinema & Cie

Cinéma&Cie. Re-intermediation: Distribution, Online Access, and Gatekeeping in the Digital European Market

This special issue of Cinéma & Cie analyses the logic and processes of re-intermediation emerging in the contemporary European media industry landscape, providing an opportunity […]

Cinéma&Cie: Scattered Subalternities: Transnationalism, Globalization and Power
Cinema & Cie

Cinéma&Cie: Scattered Subalternities: Transnationalism, Globalization and Power

Who is the Subaltern in the current global frame? Has neoliberalism changed the experience of subalternity? How do subalterns write history and what kind of […]

Cinéma&Cie: Post-what? Post-when? Thinking Moving Images Beyond the Post-medium/Post-cinema Condition
Cinema & Cie

Cinéma&Cie: Post-what? Post-when? Thinking Moving Images Beyond the Post-medium/Post-cinema Condition

If we live in a post-media and post-cinema condition, how much longer will it last, and how will it end? Picking up on the recent […]

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